Un sarcófago lleno de plumas. Aesthetic, passionate and arbitrary.
Pieces of a plane and a destroyed Rodin sculpture from the World Trade Center at Fresh Kills landfill, 2002. (Photograph: Kathy Willens/AP)
Monday 6/23/2014

(1 note)

kathy willens; 2002; auguste rodin;

Pieces of a plane and a destroyed Rodin sculpture from the World Trade Center at Fresh Kills landfill, 2002. (Photograph: Kathy Willens/AP)

getinthetardisbeatles:

Joann Sfar, Le Chat du Rabbin, 2002
Sunday 5/11/2014

(28 notes)

joann sfar; 2002;

getinthetardisbeatles:

Joann Sfar, Le Chat du Rabbin, 2002

Philip Galanter, Untitled (F091148), 2002
Friday 3/21/2014

(1 note)

philip galanter; 2002;

Philip Galanter, Untitled (F091148), 2002

"

But there are radical ideas and then there are radical ideas. One of the less
helpful ones was difference feminism. The foundations of this shaky edifice
were laid in the ’70s, when a popular rhetorical move was to label many usually
well-thought-of attributes and tools–reason, logic, science, “linear” thinking,
abstract ideas, analysis, objectivity, argument–as male, and dub their opposite
female. So by a contortion that defies “male” logic, it somehow became feminist
to confine women all over again to intuition, guesswork, instinct, feelings,
subjectivity, and arm-waving.

(…)

In morality, ethics, social life, friendship, there is something
(though far from everything) to be said for preferring understanding and acceptance
to judgment and assessment, but in epistemology or “ways of knowing” there is
just about nothing.

"
Sunday 6/17/2012

(1 note)

ophelia benson; 2002;

Ophelia Benson, Difference feminism, Oct 24th, 2002
Hsia-Fei Chang, Nature morte- le bassin rouge, 2002

Hsia-Fei Chang, Nature morte- le bassin rouge, 2002

Hsia-Fei Chang, Nature morte- le coussin, 2002

Hsia-Fei Chang, Nature morte- le coussin, 2002